Daily Thoughts 8/23/2011

Carl Spitzweig, 1880 Der Schreiber

 Daily Thoughts 8/23/2011

This morning, I read some of Made to Stick.  It is about why stories are memorable and hard to forget.  It sets a series of ideas on how to make what you are saying interesting.

We had a very nice donation of manga in the donations this morning.  There were copies of Naruto, Bleach, One Piece, Black Cat, GTO, Neon Genesis Evangelion, and other titles which were all in excellent shape.

I took some time to update the Twitter account and the Facebook account.  I learned that I can post as my page if I change my account setting in the Accounts setting of the Facebook page.  This is quite interesting.  I also checked the displays and updated the current events display.

I sent in my planned programs for the month.  I will have to print up flyers for the programs as well today.

Three books came in for me to read, Kevin Mitnick with William L. Simon, Ghost in the Wires, My Adventures as the World's Most Wanted Hacker, Hard Magic by Laryy Correia, and The Last Werewolf by Glen Duncan.

I also spent a little time reading Library Journal and Publishers Weekly today as well as making some flyers for upcoming programs.


I tried reading some more of Made to Stick on the way home on train, but got bored.  The information is useful, but it becomes repetitive.  I decided to read Ghost In The Wires by Kevin Mitnick.  It is quite interesting.  Kevin Mitnick comes across as being obsessed with computers and hacking and lacking in common sense or caution.  This makes for an excellent story.  He can's stop doing what he is doing even when he is caught repeatedly.

I watched half an hour more of the CS 5 Indesign class which is about half way through the class.  I still have an hour to go.  I'll probably then read InDesign CS5 for Windows and Macintosh by Sandee Cohen.  I also finished watching the Lynda.com session on Facebook.

Disappearance Diary Hideo Azumi (Manga Mature)

Disappearance Diary by Hideo Azumi (Manga Mature)

This is a black and white Japanese manga translated into english. It is a three part "slice of life" story. The content is mature, but not salacious.

The author, Hideo Azuma went through three dark periods in his life. The drawings are very unrealistic because they give an upbeat mood to some very dark situations. This creates a deep contrast between the actual content and the situations being described.

In the first set of stories the author loses his ability to draw and wanders off into the woods becoming homeless. It describes him scrounging for blankets, searching for food in garbage cans, and setting up shelters with plastic sheets and avoiding people.

The drawings are free hand and very detailed, but not photorealistic. Scenes show him scrounging for money in vending machines, going through bottles for wine and saki, hanging out at the library and sitting around in the park. Some of the scenes in the library are quite interesting. Eventually, he gets picked up by the police and returned home. He has been listed as a missing person.

The second part is him wandering off from home again and eventually becoming a laborer and then advancing to becoming a pipefitter. He meets a variety of obnoxious hard drinking and womanizing working class men. Many of the characters in this manga are eccentric or very unpleasant. The characters create a lot of conflict which makes the stories gripping. It is clear at this point Hideo Azuma is an alcoholic. Parts of the manga story remind of the classic novel On The Road by Jack Kerouac.

There are moments where he describes his career as a manga artist. He becomes very successful. So successful, that he has too much work and does not know how to say no. This drives him to drink more. His editors pay his tab at the bar. This segways into the third and final part of the story, where he is in the hospital as an alchoholic. The story is very exacting; it describes his alcholic anonymous meetings, medication, and his hospital stay.

This is an excellent and interesting manga. It won the grand prize at the 9th Japan Media Arts Festival in 2005. The book was translated into english in 2008.